Rehaam recommends: BoJack Horseman (three seasons): In a world where humans and anthropomorphised animals live together, this animated series centers around a washed up horse star of a 1990s sitcom. On the surface it’s a very funny dark comedy, but it’s actually a pretty profound musing on depression and a look at much deeper themes despite being about a talking horse. It’s one of those shows that gets much better in the second season, so barrel through and you will be rewarded, or left in a depressive funk. (8.4/10 IMDb, 85% Rotten Tomatoes)
Hanna suggests: Peaky Blinders: The British gangster series set in 1920s Birmingham has enough drama to make a juicy show that is about more than a family whose flat caps have embedded razor blades. The Shelbys’ ambition goes up high in the race track business. Is it the accent? The Tom Waits-y soundtrack? The vintage clothes, cars and kaborya hair-cuts? Also, six episodes per season is a good incentive to check one of Netflix’s trending shows off your list. Watch BBC Two’s launch trailer for the latest season 3. (8.8/10 IMDb, 91% Rotten Tomatoes)
Sara is watching Stranger Things (one season): This the “it” sci-fi show of the moment, with everyone from Breaking Bad’s Aaron Paul to Stephen King raving about this Netflix original. The plot centres around the disappearance of a young boy in a small-town 1980s Indiana, where his goofy outcast friends, with the help of a mysterious girl with supernatural abilities, try to get to the bottom of the mystery. If you’re a fan of 1980s pop culture, including alien movies by Steven Spielberg, music by Foreigner and the Clash, and the official emblem for everything 1980s, Winona Ryder, then this is the show for you. The first season runs for just eight episodes, while the second season is set to be aired sometime in 2017. (9.1/10 IMDB, 95% Rotten Tomatoes)
Yasmin tips Love (one season): The New Yorker called it an “unromantic comedy” and the New York Times called it a “revisionist rom-com.” The show has also been applauded by critics since its release earlier this year for its realistic portrayals of addiction and dependence, a refreshing take on a traditionally unoriginal genre that is instead awkward, annoying, and hilarious all at once. The first episode begins aspiring screenwriter and onset tutor Gus courting a conventionally attractive woman then ends with him (almost) engaging in an unlikely threesome while radio show host Mickey dumps her coke-addict lover. Cringe-worthy at times, Love depicts relationships far from the more traditional confines of the courtship ritual. The show has been renewed for a second season and the first season runs for 10 episodes, perfect for a five-hour binge. (Trailer | 7.8/10 IMDb, 87% Rotten Tomatoes)
Hisham likes The Leftovers: HBO, the channel that kicked off the “golden age of television” with monumental works such as The Sopranos and The Wire, has truly returned to form with The Leftovers. For its critics, the show seems more puzzling than an hour-long drama should be, which is somewhat fair. And if a straightforward plotline a la Game of Thrones is more your kick, then best to avoid it. One of its creators is Damon Lindelof of Lost fame (but don’t hold that against the show). This adaptation of a Tom Parotta novel of the same name is an exploration into the psychology of an entire society in the midst of grief. Set in moderns times in the aftermath of the sudden and inexplicable disappearance of 2% of humanity’s population, it explores how the survivors have coped with such a catastrophe. It portrays a humanity grasping for straws to make meaning of such events, with many succumbing to despair, cultism, and a burning desire and failure to move on. The show truly captures that the essence of a time when humanity feared a natural world it could only explain as supernatural and so created so much of our universal culture, quite simply to cope. (8/10 IMDB, 87% Rotten Tomatoes)